Fear Is a Political Tool; Cinema, Its Antidote: Dominic Sangma

In an interview with Frontline, Garo filmmaker Dominic Sangma reflects on his latest work Rapture and delves into the broader themes of fear and its political implications.

Background / Context

Filmmaker Dominic Sangma is known for his critically acclaimed films that often tackle societal issues. His latest release, Rapture, explores complex narratives centered around indigenous communities in India.

Key Developments

• Rapture: A film by Dominic Sangma that examines the lives of Garo people living in conflict zones.
• Fear and Politics: Sangma argues that fear is used as a political tool to manipulate public opinion, affecting both democratic processes and individual freedoms.
• Indigenous Storytelling: He emphasizes the importance of indigenous storytelling in preserving cultural heritage and promoting social justice.

Analysis

Sangma's work challenges mainstream narratives by providing nuanced perspectives on conflict and identity. His films serve as a powerful critique of political practices that rely on fear to control populations.

What This Means

By highlighting the effects of fear-based politics, Sangma's films contribute to broader conversations about democracy and human rights in India.

Conclusion

Sangma's exploration of these themes through cinema is essential for fostering a more informed and compassionate society.